ISSUE TWELVE | SPRING 2019
as a type of silence,
like living
on an airplane
for thirty years,
swarmed by the roar
of engines, and then,
one day landing,
and hearing the plane
shut down. She says,
a city has its own engine,
and it only knows to run.
The input of electric
billboards, traffic, sirens,
the Korean missile
that may be on its way.
The world suffers,
while here, isolated, we discuss
the commonplace: love
or its approximation, a floorboard
in a barn with a protruding nail.
The selected poem is from After the Floating Barn, written collaboratively by Josh Gaines and Ben Clark over a month-long artist residency at Art Farm Nebraska. You can find out more at thoughtcrimepress.com
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