ISSUE TEN | SPRING 2018
The slink of shirred clouds,
blue-twitching. It is not here yet.
The slink of radar:
watching families.
Adam likes the screens
open. I close them
but like them open
too. Sand and her people
on the steps.
If this is all a life is, watching,
childless, each person childless
of her own certainty—
each person barren of
certainty. Each man too,
each neighbor: so that
when you look across
the street the neighbors
are your own doubt.
No. No.
You are a spine of yellow
tooth-rose in the rain,
spine of yellow
flower, sea-spine,
brain that stars open, shines open,
forth-flower: I say this
to myself and to
Marquavius. He’s with a friend
on bicycles, one wheel that matches
his forest-green mountain bike
and one pink-and-white
wheel from a girls’ bike. He’s in our carport
pumping at the wheel. Marquavius.
One month I called Shruti and said
Marquavius is always here.
He pets the sweet cat Leela, the large
silk-silver and ink-heat one. Marquavius
craning his head to Leela: I want
a cat like Leela. Marquavius at the door
wants Adam.
I call Shruti: Marquavius always
wants Adam.
What do we do? What do we do?
I will not call myself white
but white guilt, white guilt
plasters my face as the storm
stirs in its pit. My in-laws
live in Florida, says Reg,
and they won’t
leave. But it’s time to
leave Florida. The South
of Florida is sinking... and the storms
are three times as large,
says Reg. The storms are growing.
On Herman Street Marquavius
and his friends are
inside. The street is black-shine
and the trees green-whistle. Adam
is at work because he provides
an essential
service. Late morning, I’m alone
on Herman Street.
The storms are growing
and quick-silk vapor
on Herman Street flicks
along the alleys
where Jean’s cat cases
the street, the kittens & mothers
long carted away
in Adam’s county truck to the shelter.
*
I can still do more
than I have done
I realize in my thirties
once the Lexapro
has taken root
in my blood, blood-root
trickster, insinuated
into my bloodstream
so that it is
necessary: so that despair follows
in its absence:
& did I invent
my own despair
from sheer wanting to say
like you I
have suffered. It turns out
that in late summer
of the end times
the air cools early,
brings its balm
to the sweat-soaked
fear of summer
early. In the yard
the moon starts to
double. I can’t
tell: by the time
I look away
I can’t tell
what I’ve invented.
Shamala Gallagher is an Indian / Irish American poet and essayist currently based in Athens, GA. Her recent work has appeared in Poetry, Poetry Northwest, Black Warrior Review, The Rumpus, The Offing, and Bettering American Poetry vol. 2.